Sunday, January 31, 2016
Pre-Raphaelite Paintings
I was doing
research for 20th Century Art, and I came across a documentary on
the Pre-Raphaelites Narrated by Andrew Lloyd Webber. I have seen some of their
work before, but I have never had the opportunity to study their work in
detail. The narrative of their painting, and their use of color and brush
stroke reminds me of my own work.
The
Pre-Raphaelite’s were very interested in human narratives painting topics, such
as “history, myth, legend, religion, mortality, and above all, psychological
drama.” They were interested in taking art and giving it back to the people,
studying painting and engravings made before artists like Raphael began
painting idealized portraits for the wealthy noblemen of the church. They used
people they knew as models, creating realistic portraits within their
narrative, rather than creating idealized figures.
The documentary is
very interesting, check out the link below:

Documentary on Pre-Raphaelites
Thursday, January 28, 2016
Paper Clay on the Trunk!
I created some paper clay from some cheap toilet paper, joint compound, and wood glue. This was the second batch where I added white paint to get rid of that puke yellow color. Definitely going to paint it with acrylic. I'm stuck on adding another section to the trunk, I think it could work a lot better taller because it could act as shade and bring the viewer closer. I'm going to split each branch up top into two as well.
Tilt shift video
I thought Jarek would like to see this even and I do not know if he could use it or if he already knows about it but i thought I would post it anyway. I remembered this from when I read it two years ago and it popped into my head when we dispersed from class today. http://www.animenewsnetwork.com/interest/2014-09-17/tilt-shift-video-from-the-tokyo-city-observatory-makes-the-city-look-like-a-toyset/.78885
Tuesday, January 26, 2016
Exhibition ideas
I did some research over the weekend trying to examine how I could go about exhibiting my project, as well as looking into how I could approach the difficult concept of using found/appropriated photos in my project, since it has already come with some backlash from people.
I found some references from a few artists who exhibited a little differently. First was a photographer from Hong Kong named JC who exhibited his photos by clipping them onto wires hung throughout the gallery. Since I'm searching for a different approach to the exhibition process, I really enjoyed looking into his methods.
Becky showed me an artist named Lorna Simpson as well, who incorporates found photos in her works, as well as a collage-d way of exhibiting her works. 1957-2009 is a work I found particularly interesting - Simpson came across a set of old found photos of a model and a man. She re-created the photos herself, and framed and hung everything together as one. All the photos are small and framed tightly together, inviting the viewers to come in and try to figure out which are the originals and which are the re-creations.
Simpson also exhibited some works that were framed as collages, incorporating found photos in her works, incorporated with ink drawings and plates of brass.
Simpson's ways of working and her exhibitions, as well as her incorporation of found photos in her work is really intriguing. The appropriated photos make sense in her works. It's something I can take into consideration when trying to figure out how to play found photos into my work.
I found some references from a few artists who exhibited a little differently. First was a photographer from Hong Kong named JC who exhibited his photos by clipping them onto wires hung throughout the gallery. Since I'm searching for a different approach to the exhibition process, I really enjoyed looking into his methods.
Becky showed me an artist named Lorna Simpson as well, who incorporates found photos in her works, as well as a collage-d way of exhibiting her works. 1957-2009 is a work I found particularly interesting - Simpson came across a set of old found photos of a model and a man. She re-created the photos herself, and framed and hung everything together as one. All the photos are small and framed tightly together, inviting the viewers to come in and try to figure out which are the originals and which are the re-creations.
Simpson also exhibited some works that were framed as collages, incorporating found photos in her works, incorporated with ink drawings and plates of brass.
Simpson's ways of working and her exhibitions, as well as her incorporation of found photos in her work is really intriguing. The appropriated photos make sense in her works. It's something I can take into consideration when trying to figure out how to play found photos into my work.
I solved the wrist
I found some clock parts in one of my jewelry supply drawers that would make a good wrist. I intended them originally for a vambrace or staff when stuck the three components together but could never find a good spot for them in any of my work...... I guess I finally found one.
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